Artist Statement

The idea behind the digital embodiment exhibition is a glitch in time. The year is 2150, and humans have evolved to require very few design templates with minimal accessories. Garment manufacturing has become so streamlined, clothing can be printed on demand with randomized glitch generators, to give customers the fashionable distinctiveness they desire. A product of our collective pursuit of enhanced efficiency, where we are less consumed with our possessions, I present my minimalist capsule wardrobe for Spring/Summer 2150.

Software used: Clo3D, Figma, InDesign, Photoshop, QRcode Monkey, Glitch! and Glitch Lab.